cultural economy
UNCTAD’s Creative Economy Reports argue the share of ‘developing’ countries in global trade is growing. But what if their analysis is based on flawed country classifications?
Read MoreUNCTAD’s ‘special edition’ of the Creative Economy Report promises a new take on the subject. What does it well and where is room for improvement?
Read MoreKernfeld convincingly argues that one cannot simply posit pop song piracy as the illegal counterpart of the legitimate music businesses. In fact, piracy has often prompted much-needed innovations in the music business in technical and commercial terms.
Read MoreThe Burkinabè Ministry of Culture commissioned a report on its cultural industries with funding from UNESCO’s International Fund for Cultural Diversity. This article analysis the document as part of Burkina Faso’s engagement with cultural industries.
Read MoreIntimate Distance engages with a seemingly unusual cultural interaction: Bolivian and Japanese performances of the indigenous music of Bolivia, framed as ‘Andean’ music.
Read MoreSeveral authors have previously explored the concept, nature, and functions of the cultural industries. Fitzgerald makes a most valuable contribution to this body of literature with an excellent theoretically informed and empirically rich account of a particular section of the cultural industries: corporations.
Read MoreThis chapter builds on postcolonial studies, through which greater understanding of the complexity of ‘culture’ in cultural and creative industries might be achieved.
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